![]() We can continue counting in Saturn years down to 9, one 96th of the precessional year, or 3.75 degrees of arc and 270 earth years, which brings us to the alignment period of the galactic meridian and the zenith/nadir axis. Saturn completes one precessional Great Year of 25,920 years every 864 of its “years,” a half cycle every 432 of its “years,” a quarter cycle every 216 of its “years,” and an eighth of a cycle every 108 of its “years.” This equals (108 x 30) 3240 years, or 45 degrees of precessional arc. also contains plenty of nonsensical babble such as This will obviously somehow exhibit the superiority of 432 hz. In order to witness the power of 432 hz, Collins recommends purchasing several frequencies of tuning forks (including a 432), striking them, inserting them into separate glasses of water, and then tasting the water in each glass. One of the most vocal proponents of 432 hz is Brian Collins, who runs the website. ![]() Many people have an almost religious addiction to this idea, using words such as “mathematically consistent with the patterns of the universe” and claiming that 432 “will support humanity on its way towards spiritual freedom”, as well as spreading ideas of a Nazi conspiracy to use a 440 hz standard to make humans more aggressive and violent. A Google search of this frequency will provide hundreds of thousands of links to various websites touting the perceived superiority of 432 hz. ![]() One alternate tuning that has gained a significant following is 432 hz. There are many people around the world who oppose the assignment of 440 hz as the standard concert pitch. Though not universally accepted, this standard is by far the most common pitch in use today. The standard pitch set by the ISO was 440 hertz for the key A4. This standard would allow for musicians worldwide to play the same music at the same pitch. In 1953, the International Organization for Standardization set out to create a standard pitch for western music. If you are unfamiliar with the sounds produced by these frequencies, you can plug them into to hear the differences. Some Italian and French orchestras commonly tuned to a pitch of 450 or higher. Mozart, Bach, and Beethoven likely composed with an A4 pitch between 420 and 430. The interesting part is that this single note could vary wildly (from 380 hertz to 500 hertz) depending on where in the world the orchestra was. This was the reference note that every instrument in an orchestra would tune their instruments to. Since the 18th century, the keystone of western music has been the note A above middle C, also known as A4. An orchestra playing a Mozart piece in Vienna would sound significantly different than an orchestra playing the same piece in New York. This meant that every orchestra would tune to a different pitch than every other. For a long time, there was a lack of any international standard for musicians to tune their instruments to. Over the centuries, the tones that comprise western music have fluctuated wildly.
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